My practice explores the transformations and contradictions that shape human experience. Through ceramic sculptural forms I balance organic fluidity with geometric structure, to explore the idea of antithesis within themes such as femininity, ageing, attraction and connection.

I aim to create physical forms that represent emotional states of being: the tension between solitude and coalescence, fragility and strength, defining experiences and simple pleasures. Drawing inspiration from organic systems such as the human body, the movement of water or planetary motion, I juxtapose these influences with abstract shapes. Smooth, oscillating curves intersect with sharp edges and clean lines to reflect the constant flux between stability and change. Exaggerated proportions and contrasting textures create a sense of harmony and equilibrium.

I believe that clay is an ideal medium to express the metamorphism of human experience with its tangible, mouldable and volatile qualities. Just as clay is transformed by my hands, the sensitivities of the environment and the heat of the kiln, our lives are shaped by our choices, the social and physical factors around us and unpredictable forces beyond our control. While my practice began with creating functional objects, my focus has shifted towards conceptual sculptural works. Occasional returns to functionality allow my ideas to exist within everyday encounters as well as contemplative spaces. Ultimately, I hope to create pieces that represent the complex beauty of the shapes of our lives.

Photo credit: Liz Seabrook